Socio-Cultural Implications in the Novels of Amitav Ghosh

INTRODUCTION

The major writers who are either Indian or of Indian origin and derive much inspiration from Indian themes are R K Narayan, Vikram Seth, Salman Rushdie, Arundhati Roy, Raja Rao and Amitav Ghosh. Amitav Ghosh, a pioneer of English literature and one of the most famous subaltern, diasporic and post-colonial writers of 21 century was born on, July 11, 1956 in Calcutta now that is called Kolkata. Ghosh has visited and traveled to different locations and places such as Bangladesh, Sri Lanka, Iran, Egypt and finally the United Kingdom. He was also educated in different institutions such as The Doon School, Dehra Dun, St. Stephan‘s College, Delhi, He is also a diploma holder in Arabic which he perceived from Institute Bourguiba des Langues Vivants, in Tunis, Tunisia, in 1979. Finally, he was awarded as D. Phill (Ph D) in Social Anthropology from St. Edmund Hall, Oxford in 1982. He was awarded for his thesis on ―Kinship in Relation to the Economic and Social Organizations of an Egyptian Village Community‖. It was actually 1980 when he went to Fellaheen town of Lataifa (Egypt) and his work In an Antique Land is the aftereffect of that review. In this work of non-fiction Amitav Ghosh forces an example all alone encounters in Lataifa and Nashawy, subsuming himself into a huge example the twelfth century lives of a Jewish vendor and his slave in India. Ghosh and his significant other Deborah Baker; who is likewise the creator of a life story The Life of Laura Riding (1993) and a senior editorial manager at Little, Brown and Company; lives with their two kids Lila and Nayan in America.

All criticism is close to home or if nothing else that is the thing that one feels. Directly from decision of a writer, or a book, how it takes a shot at one's brain, how one takes it, modifies and balances its impacts at the forefront of one's thoughts lastly how one remarks on it—it is all horribly close to home. The Shadow Lines has been no normal experience The book is composed on a passionate plane, underlining and clarifying the little, widespread facts of life. Fascinatingly obvious portrayal of the state of mind of kids is so momentous. The writer, it appears, has remembered his adolescence in this book. On a mental plane, the book establishes character and personality in adolescence. The storyteller stands apart as a grown-up established in his youth encounters. At whatever point he encounters life, his response to it stems out of his youth impressions. How can he take urban communities like London, Calcutta or Dhaka or individuals like his cousin Ila, or colleagues like May and Nick—everything springs from his youth recognitions. It appears to be so regular. It appears the main legit method for taking life and its encounters. Along these lines, one may take the regular basic term, youth is a noteworthy topic of this book. The treatment of the subject is basically overpowering. Tridib is the storyteller's more established cousin. His effect on the storyteller's life is colossal. Tridib and the storyteller youngster have a unique bond. They have as it were, schemed to take a gander at the world with their very own eyes or rather Tridib's offbeat, sane, withdrew eyes. At the point when Tridib enlightens the storyteller concerning his youth at London, the tyke storyteller attempts to envision Tridib as a little kid. He makes a decent attempt however can't envision Tridib as a little kid lastly I had chosen he had appeared as though me'. So while listening accounts of London, Cairo, and other fascinating spots, the storyteller ventures, recognizing himself totally with the greater, (practically impeccable to his kid's eyes) good example. The storyteller's relationship with his saint i.e., Tridib is exceptional to the point that when requested a reaction, the storyteller says 'I was apprehensive now: I could see that he (Tridib) was holding on to hear what I'd need to state and I would not like to frustrate him'. Along these lines, starts his preparation at seeing things by all accounts. It isn't that Tridib is attempting to bulldoze his quality on the storyteller. In the region where the storyteller lives, Gariahat and Gole Park in Calcutta, Tridib is very outstanding in the city. All container retailers, sweet retailers, young men on the road know Tridib on the grounds that the spot is his top pick 'adda' or 'frequent,' we may state in English. The storyteller is wrapped in the defensive nearness of Tridib. The storyteller has an unadulterated youngster like love for Tridib. As a tyke he overflows with satisfaction at Tridib's demonstration of insight and predominant learning on those roadside frequents. The storyteller's feeling of pride extends when Tridib treats him like an equivalent, a grown-up and shares privileged insights with him. He wildly shields Tridib when individuals criticize him on his back for all his made-up or genuine marvel stories. The tyke in the storyteller is predominant to the point that when years after the fact May, Tridib's adored, spots him in London in the group after her exhibition in a symphony 'abruptly she grinned, ascended on

Amitav Ghosh's novels manage the most contemporary issues, for example, present day man's lasting issues of distance, the mission for opportunity and existential emergency. Restless, rootless and unsettled. Another observable component of his novels is that they keep in touch with the contemporary reality in the entirety of its open-endedness. Being the creator of a polyphonic novel, Ghosh's novels don't put a finishing period toward the end. Taking everything into account, it seems that Ghosh is working on two levels at the same time. His works are moral and political, postmodernist and pioneer, deconstructionist and essentialist.

[1] Tomsky. Terri (2009). ―Amitav Ghosh‘s Anxious Witnessing and the Ethics of Action in The Hungry Tide.‖ The Journal of Commonwealth Literature 44.1 (March 2009): [2] ―The Servants of War and their Language.‖ Autodafe: A Manual for Intellectual Survival 3/4 (2003): pp. 39-47. Print. [3] University of California Press, 1993. Pp. 1-32. Print. [4] Interview with T. Vijay Kumar (2007). ―Postcolonial‖ Describes You as Negative‘: An Interview with Amitav Ghosh.‖ Interventions. 9.1: pp. 99-105. Inform world. Web. 3 Oct. 2009.

Research Scholar, Rabindranath Tagore University, Raisin M.P. India