Feminist Reading of Kamala Das’s Poetry
Exploring Feminine Sensibility in Kamala Das's Poetry
by Poonam .*, Dr. Neha .,
- Published in Journal of Advances and Scholarly Researches in Allied Education, E-ISSN: 2230-7540
Volume 12, Issue No. 2, Jan 2017, Pages 1027 - 1029 (3)
Published by: Ignited Minds Journals
ABSTRACT
Kamala Das has a place with the original of modern English poets who developed another poetics for themselves and made another begin both in theme and strategy around 1960's. In Kamala Das' poetry we locate the best articulation of feminine sensibility, its concealment in a male dominated society. So her poetry is confession booth and self-portraying, all things considered, however on occasion she universalizes what is close to home. She renounced the age-old and to some degree sterile aestheticism for a freedom of brain and body. The male fantasia in poetry enjoys different complex highlights and shared thematic domains concerning the universe of men, while female capriccio in poetry spins around the bunch the matic enunciations concerning the residential life, societal collaborations and the self of a woman. Her poetry passes on her antipathy for male domination and to the phonies.
KEYWORD
Feminist reading, Kamala Das, poetry, feminine sensibility, male dominated society, confession, self-portraying, freedom of mind and body, male fantasia, female capriccio, antipathy for male domination, phonies
The universe of Kamla's poems is totally Indian or a world that she has made her own. Notwithstanding, more than the Indianness what strikes one most in her poerns is the feminine sensibility. In her admission (both in poetry and exposition) she turns out as the writer of feminine wants, desires and fears, or the victor of women's inspiration. She showed tremendous mettle in defying the sexual expansionism and giving desire and assurance to young ladies that they can reject the injured individual position, that they can frustrate the hottest culture's push to abuse and minimize women. Kamla Das is every woman. The confession booth mode in Kamla is a vibe of self and to put this self in focus with 'all selves'. Her poems like "A Relationship", "Summer in Calcutta", "An Introduction" and a couple of others will all in all avow her boldness and opportunity in communicating for all to hear the puzzle longings and objective of womankind or of women who are pained woman, appalling wife and reluctant nymphomaniac. Most by far of her poems examine the sex work an Indian woman plays -
Kamla Das' poetry exemplifies the organizations of women ascending out of that state of abuse and servitude, and looking to develop their identity and the self Obviously, this is anything but a straightforward and uncomplicated technique as this incorporates discarding a lot, grasping a safe mien and testing the injured self that conveys what needs be in so many different temperaments. Her poems are seen as the declaration of the pitiable circumstance of a baffled woman who needs love thought and empathy and wants a valuing spouse, warmth and home. As a writer of sharp feminine sensibility, Kamla offers vent to the desires, fears and wants of womankind. She has been the legend of woman's inspiration in the total of her works and nobody can challenge this statement. Her poems are yield of a tricky woman's heart, having encountered maternity and even throes of transport. Kamla's mood towards men resembles the mentality of men when in doubt towards women. She says:
I was entirely without lust. I hoped that someday as I lay with a man, somewhere beneath the bone, at a deadened spot, a contact would be made, and that afterwards each movement of my life became meaningful. I looked for the beauteous Krishna in every man. Every Hindu girl is in reality wedded to Lord Krishna.
V. CONCLUSION
Kamala Das writes in her poetry about the situation of woman and oppose the predominance of man. The impact of male centric society is found in all religions just as their scriptures. As the religious leaders were all men, the scriptures composed by them were male-situated and thus, women were given second rate position in families just as social orders. There is no uncertainty Kamala Das is another phenomenon in Indo-Anglian poetry—a long ways without a doubt from Toru Dutt or even Sarojini Naidu. Kamala Das' is a savagely feminine sensibility that challenges without restraints to explain the damages it has gotten in a heartless to a great extent man-made world ... Obviously, the unending reiteration of such hurt, such baffle, such pessimism, should at some point or another decline into a mannerism, yet one expectations—and her outstanding ability offers the ground for such expectations—she will exceed this fixation at the appointed time and discover her way to a season less attempting. Kamala Das is an extraordinary and unique poet with an unmistakable poetic identity of her own. At the and straightforwardness over the utilization of English and has developed a style that is described by an everyday effortlessness and lucidity. Words easily go to her. Since English is most dear to her, she normally and skillfully utilizes it to express her emotions, her sentiments, her memories, her adoration and sexual encounters, her frustrations and disillusionments generally viably. Kamala Das comments: The language one utilizes isn't significant. What is significant is the idea contained by words.
REFERENCES:-
1. Tilak. Raghukul (2011). New Indian English Poets and Poetry.Rama Brothers India Pvt. Ltd. 2011. Print. 2. Das, Kamala (1991). The Best of Kamala Das. Ed. P. P. Raveendran. Calicut: Bodhi Publishing House, 1991. 3. The Old Playhouse and Other Poems. Mumbai: Orient Longman Private Limited, 1973 4. ―Das, Kamala / Introduction.‖ Web. 18 October 2008
Corresponding Author Poonam*
Research Scholar of OPJS University, Churu, Rajasthan