The Verdant Canvas: An Investigation into the Significance of Nature in Romantic Poetry

Authors

  • Rakhsheena Baig English Language Instructor, Jazan University,

DOI:

https://doi.org/10.29070/56mcd139

Keywords:

Romanticism, nature, Wordsworth, Coleridge, Shelley, Keats, pantheism, imagination, symbolism, landscape, emotion, spiritual, connection

Abstract

This paper delves into the profound significance of nature in the works of prominent Romantic poets, including William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, and John Keats. It argues that nature transcends mere backdrop to become a primary character, shaping poetic themes, influencing language, and offering a canvas for exploring philosophical inquiries, spiritual connections, and emotional expression. Analysing key poems through the lens of pantheism, the role of imagination, and the symbolic potential of landscape, the paper illuminates how Romantic poets utilize nature to challenge societal norms, express personal anxieties and aspirations, and ultimately, reveal a nuanced understanding of the human condition in relation to the natural world.

References

Wordsworth, William. Selected Poems. Edited by Stephen Gill. Oxford University Press, 2004.

Coleridge, Samuel Taylor. The Major Works. Edited by H.J. Jackson. Oxford University Press, 2000.

Shelley, Percy Bysshe. The Complete Poetical Works. Edited by Thomas Hutchinson. Oxford University Press, 1904.

Keats, John. The Complete Poems. Edited by Jack Stillinger. Harvard University Press, 1978.

Abrams, M. H. Natural Supernaturalism: Tradition and Revolution in Romantic Literature. W. W. Norton & Company, 1971.

Beer, J. Wordsworth and the Human Voice: An Essay on Noise, Muteness, Constitutedness. Stanford University Press, 1998.

Buell, L. From Apocalypse to Way of Life: Environmental Thinking in Western Culture. Harvard University Press, 2005.

Gilbert, S. M., & Gubar, S. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Yale University Press, 1979.

Holmes, R. Coleridge: Early Visions. Oxford University Press, 1989.

Liu, A. Wordsworth and the Dynamics of Romantic Genius. Stanford University Press,1997.

Wasserman, E. R. The English Vision of the Romantic Poet. University of California Press, 1970.

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Published

2024-09-03

How to Cite

[1]
“The Verdant Canvas: An Investigation into the Significance of Nature in Romantic Poetry”, JASRAE, vol. 21, no. 1, pp. 1–3, Sep. 2024, doi: 10.29070/56mcd139.

How to Cite

[1]
“The Verdant Canvas: An Investigation into the Significance of Nature in Romantic Poetry”, JASRAE, vol. 21, no. 1, pp. 1–3, Sep. 2024, doi: 10.29070/56mcd139.