The Origins Of Psychological Conflict In Classical And Early Modern Literature

Authors

  • Kawaljeet Kaur Research Scholar, Shri Venkateshwara University, Gajraula, Uttar Pradesh Author
  • Dr. Seema Verma Associate Professor, Shri Venkateshwara University, Gajraula, Uttar Pradesh Author

DOI:

https://doi.org/10.29070/8rawdk39

Keywords:

Psychological, Conflict, Literature, repression , classical

Abstract

This paper analyzes the portrayal of mental health, emotional turmoil, and the inner conflicts of characters in notable literary works across different periods. It focuses on the impact of various psychological theories, such as Freudian psychoanalysis and existentialist psychology, on character development and plot construction. Repression does not eradicate our anxieties, agonies, and urges; rather, it empowers them by enabling them to shape our present experience. Under a related process known as Sublimation, the suppressed content is elevated to a higher level or camouflaged as something honorable. Oedipus disdained the gods' oracles and prophesies. The more skilled the artist is, the more realistic and engaging the characters, plot points, and conflicts may be, and the more the reader will be captivated by them because of the illusion of authenticity.

Downloads

Download data is not yet available.

References

1. Henn, T. R. (n.d.). The Harvest of Tragedy. [Page 287].

2. Chong-Gossard. (n.d.). Ancient Greek Tragedy in Performance. Retrieved from [Online source].

3. Knox, B. (n.d.). Oedipus at Thebes: Sophocles’ Tragic Hero and His Time. [Page 67].

4. Kitto, H. D. F. (n.d.). Greek Tragedy: A Literary Study. [Page 117].

5. Easterling, F. E. (n.d.). Greek Tragedy and Its Influence.

6. Ross, W. D., & Knox, B. (n.d.). Classical Myth and Literature. [Pages 304-305].

7. Butcher, S. H. (1891). Aristotle’s Theory of Poetry and Fine Art. [Page 124].

8. Storey, I. C., & Allen, A. (n.d.). A Guide to Greek Tragedy. [Articles 128-129].

9. Aristotle. (n.d.). Poetics. (Chapter 18, [Page 38]).

10. Driver, T. F. (n.d.). The Sense of History in Greek Tragedy. [Page 247].

11. Bloom, H. (n.d.). The Oedipus Complex in Western Literature. [Page 1].

12. McManus, B. F. (n.d.). Freytag’s Diagrammatic Representation of Oedipus Rex. Retrieved from [Web source].

13. Bowra, C. M. (1989). The Greek Experience.

14. Kitto, H. D. F. (n.d.). Greek Tragedy. [Page 140].

15. Mills, [Initials]. (n.d.). Classical Greek Drama and Tragedy. [Page 392].

16. O'Brien, M. J. (n.d.). The Transformation of Tragedy in Greek Mythology. [Page 21].

17. Dodds, E. R. (n.d.). On Misunderstanding the Oedipus Rex. [Pages 42-43].

18. Fagles, R. (n.d.). Stoicism and Oedipus in Greek Tragedy. [Page 142].

19. Socrates, & Plato. (n.d.). Philosophy and Tragedy. Retrieved from [Web source].

20. Freud, S. (n.d.). The Interpretation of Dreams. [Page 296].

21. Zachrisson, A. (n.d.). Psychoanalytic Theory and Oedipus Complex. Retrieved from [Web source].

22. Dodds, E. R. (n.d.). Greek Tragedy and Its Cultural Impact. [Pages 42-45].

23. Bowra, M. (n.d.). Classical Influences in Greek Tragedy. [Page 168].

24. Halliwell, S. (n.d.). Greek Tragedy and the Poetics of Identity. [Page 188].

Downloads

Published

2025-03-01

How to Cite

[1]
“The Origins Of Psychological Conflict In Classical And Early Modern Literature”, JASRAE, vol. 22, no. 2, pp. 248–258, Mar. 2025, doi: 10.29070/8rawdk39.